PRESS

“It’s a complex, intelligent score, one of the best out there in the musical theater world. Here, composer Zrebski appears to pull from Russian orthodox choir music for his sophisticated dark harmonies. Bobby McFerrin-style diphthongs surface now and again, and generous percussion full of pagan rhythms (played by the actors), does much to augment the story’s powerful mood.”

Ablaze, 2012
Holly Johnson The Oregonian